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W3IP Law at the Art Gallery of NSW, Sydney

EVENT   |   12th November, 2017 | ADMIN

Painting in the Dutch Golden Age at the National Gallery of Art

Examining the art and culture of one of the world’s greatest periods of creativity, a display of 17th century Dutch masterpieces dominated by Rembrandt van Rijn, who had an exceptional ability to paint people  as they really looked, in all their moods and mystery.

Master of Light and Shadow (1606-1669)

Painting in the Dutch Golden Age at the National Gallery of ArtExamining the art and culture of one of the world’s greatest periods of creativity, a display of 17th century Dutch masterpieces dominated by Rembrandt van Rijn, who had an exceptional ability to paint people as they really looked, in all their moods and mystery.

Master of Light and Shadow (1606-1669)
Painting in the Dutch Golden Age at the National Gallery of Art

Examining the art and culture of one of the world’s greatest periods of creativity, a display of 17th century Dutch masterpieces dominated by Rembrandt van Rijn, who had an exceptional ability to paint people as they really looked, in all their moods and mystery.

Master of Light and Shadow (1606-1669)
Painting in the Dutch Golden Age at the National Gallery of Art

Examining the art and culture of one of the world’s greatest periods of creativity, a display of 17th century Dutch masterpieces dominated by Rembrandt van Rijn, who had an exceptional ability to paint people as they really looked, in all their moods and mystery.

Master of Light and Shadow (1606-1669)
Painting in the Dutch Golden Age at the National Gallery of Art

Examining the art and culture of one of the world’s greatest periods of creativity, a display of 17th century Dutch masterpieces dominated by Rembrandt van Rijn, who had an exceptional ability to paint people as they really looked, in all their moods and mystery.

Master of Light and Shadow (1606-1669)


Disclaimer. The material in this post represents general information only and should not be taken to be legal advice.

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